“When I tie, it’s past directed. It has nothing to do with the future and it has nothing to do with the presence. It is something, that shows me the past – of me as well as of my partner’s past. Tying is an interview for me. I ask questions. The questions I ask, with my rope, with different tensions, different distances, different exposures and so on and so forth, aim for answers in the past. The physicist in you (and in me, too!) now yells at me and says “No way! Even if the answers are built with symbols that have been learned, you get the answers now, ie in the presence!” Well, from the perspective of time as a coordinate, you are right. But I don’t experience a Kinbaku scene as a mathematical physicist. I rather see it as a pervert linguist and historian – one could say as an archeologist of personalities.” (About the direction of time in Kinbaku. Barkas 2016)